selected
projects:
about
Sabotage Projects:
SABOTAGE
EVENTS (Since 1994)
Bored
by the conventional forms of music presentation of events,
clubs and performances, Sabotage Comm. started to create new
forms of performances that always stand under a special slogan.
E.g. the presentation of "Lens cleaner" took place
in a 24 hours laundromat. Dj`s played their records on battery-operated
players, the auditory washed their clothes and listened. A
series of 8 events with the title "Séparée"
took place in a former red-light bar. With the participation
of Laton Records an infra-sound installation took place on
the Ars Electronica 96, consisting of a 24 meter long pipeline
that produced a sound of 7 MHz on the auditory. Infra-sound
with less than 10 MHz is a sound weapon that only can be perceived
by the body and until then only has been used for military
purposes. During the soundcheck 3 persons lost balance and
several attendants got sick. In co-operation with the traffic
and electricity enterprise ESG an event was organised in a
tram depot to present the CD/LP compilation "Electro
Juice". Amongst the participants were all musicians of
the compilation, such as Ectomorph, Ultradyne and Le Car,
all originating from Detroit. The enterprise made a tramway
available that was irradiated acoustically by Dj`s and that
transported the visitors to the depot all night long. As recompensation
the enterprise was given 500 CD, that only should be given
to fare dodgers. Another event took place in a former coffin
making factory that had been made into a performance centre
equipped with a sauna and a swimming pool. Dj`s played their
music in front of a naked auditorium in the steam bath at
a temperature of 46 degrees. The sound equipment and the video
projectors were completely destructed.
In
another event, organised in Graz following an invitation,
mostly "art auditorium" took part. As the bourgeois
cultural scene obsessively seeks to quote and imitate the
subculture and treats the subculture like an aspect of itself,
a zoo-like situation was presented. Auditorium and musicians
were separated by a fence reaching up to the ceiling beginning
at the entrance. Musicians, sound, dancing floor, toilets
and the bar were on the other side of the fence for the auditorium.
During the "Sabotage European Tour `97" the dancing
floor of the clubs was enclosed with a electric fence for
cows. The fence was activated. The inner pockets from mens
jackets were filled with fresh urine balls. During the whole
tour 62 records were burned by the Dj`s.
SABOTAGE PROJECTS (Since 1992)
In
1995 the example "Free Party 95" showed that Sabotage
Comm. not only interferes subtly with public systems and structures.
The Free Party originated in the year 1994 out of the necessity
of the Viennese musical scene (Dj`s, musicians and organisers)
in a period when police raids and bureaucratic obstacles had
caused the closure of nearly all clubs of Vienna and city
life died at 10 p.m. The Viennese scene unionised and protested
for the first time in form of a sound demonstration on the
Viennese Ring. One year later, as the Viennese night-life
was already reanimated by a number of clubs and events, 3
organisers of mega-raves realised ravers as a gap in the market
and - together with industry and the township - they organised
a second Free Party. A dozen sponsored trucks with sold demo
places moved through the streets, demonstrating against the
township that had shared in the financing of the event. Sabotage
Comm. participated in the fun column with a truck loaded with
300 transport boxes for chicken and equipped with a sound
system looping tape playing the cackling of chicken all the
time. The sabotage truck was accompanied by 8 persons who
distributed more than 4000 flyers. The flyers referred to
the sell-out of youth culture, exploitation by cultural politics
and economy and the commercialisation of subcultural strategies.
The organisers tried in vain to ban the truck from the street
and to take away the flyers from the Sabotage crew.
Further
projects are the "Sabotage Publications" which are
published biennially (Sabotage 1992-93, authors edition, Sabotage
1992-95 published by Brandstätter Verlag). The latest
publication that was produced in authors edition was
a magazine with the title "FIVE" on occasion of
the 5th anniversary of Sabotage. "FIVE" was a collection
of contributions of related groups, formations and labels
that co-operated with Sabotage Comm. and of reports on "DJ
Battles, Hong Kong Special, Label fashion, Skaters knock-out,
friendly bastards" etc.
In
August 1997 the contours of a reticule were mounted on the
sidewalk between the tower blocks of the Rennbahnsiedlung
in Vienna. The installation was called " Attribute for
Vienna". In Austria the rate of ghost drivers, weapon
owners and acts of violence in families is very high and it
also ranges on the second place (after Finland) in the rate
of suicides. The highest rate of suicides is to be found in
the 22nd district of Vienna in the Rennbahnsiedlung. The artificially
constructed settlement with 8000 inhabitants has the form
of a fort and consists of high riser blocks that surround
lawns. Attention has been attracted by numerous TV reports
and even a movie. The inhabitants, mostly of the working class,
live together on a minimum space with a view form the 10th
floor on the construction and industry area. Each year 12
to 14 inhabitants commit suicide by jumping from the roof
or the balcony or out of the window. The cause for that final
step often stays unknown to the remaining members of the families,
the neighbours and the officials. It also stays a mystery
why inhabitants of this settlement come to this final decision
sin such a high rate, us the conditions of living and housing
are similar or even worse in many other apartments, settlements
and villages.
Long-time
effects and continuity are only to be found in the Label Subetage/Craft
Records and CASH.
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